Masterfully leveraging one visceral motif through a story of high suspense, London imparts a beautiful meditation upon a great and awful truth.
⁓The Voice before the Void
“A Piece of Steak”
With the last morsel of bread Tom King wiped his plate clean of the last particle of flour gravy and chewed the resulting mouthful in a slow and meditative way. When he arose from the table, he was oppressed by the feeling that he was distinctly hungry. Yet he alone had eaten. The two children in the other room had been sent early to bed in order that in sleep they might forget they had gone supperless. His wife had touched nothing, and had sat silently and watched him with solicitous eyes. She was a thin, worn woman of the working-class, though signs of an earlier prettiness were not wanting in her face. The flour for the gravy she had borrowed from the neighbour across the hall. The last two ha’pennies had gone to buy the bread.
He sat down by the window on a rickety chair that protested under his weight, and quite mechanically he put his pipe in his mouth and dipped into the side pocket of his coat. The absence of any tobacco made him aware of his action, and, with a scowl for his forgetfulness, he put the pipe away. His movements were slow, almost hulking, as though he were burdened by the heavy weight of his muscles. He was a solid-bodied, stolid-looking man, and his appearance did not suffer from being overprepossessing. His rough clothes were old and slouchy. The uppers of his shoes were too weak to carry the heavy re-soling that was itself of no recent date. And his cotton shirt, a cheap, two shilling affair, showed a frayed collar and ineradicable paint stains.
But it was Tom King’s face that advertised him unmistakably for what he was. It was the face of a Continue reading