In struggling with the lack of a convincing resolution to the Problem of Free Will and the horrific implications thereof, Heidegger is encountered, supplanting horror with mere ennui.
⁓The Voice before the Void
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Thrownness (German: Geworfenheit) is a concept introduced by German philosopher Martin Heidegger (1889–1976) to describe our individual existences as “being thrown” (geworfen) into the world. Geworfen denotes the arbitrary or inscrutable nature of Dasein that connects the past with the present. The past, through Being-toward-Death, becomes a part of Dasein. Awareness and acknowledgment of the arbitrariness of Dasein is characterized as a state of “thrown-ness” in the present with all its attendant frustrations, sufferings, and demands that one does not choose, such as social conventions or ties of kinship and duty. The very fact of one’s own existence is a manifestation of thrown-ness. The idea of the past as a matrix not chosen, but at the same time not utterly binding or deterministic, results in the notion of Geworfenheit—a kind of alienation that human beings struggle against, and that leaves a paradoxical opening for freedom:
[T]he thrower of the PROJECT is THROWN in his own throw. How can we account for this freedom? We cannot. It is simply a fact, not caused or grounded, but the condition of all causation and grounding.
For William J. Richardson, Geworfenheit “must be understood in a purely ontological sense as wishing to signify the matter-of-fact character of human finitude.” That’s why “thrownness” is the best English word for Geworfenheit. Other “attractive translations as ‘abandon,’ ‘dereliction,’ ‘dejection,’ etc. […] are [dangerous because those are] too rich with ontic, anthropological connotations. We retain ‘thrown-ness’ as closest to the original and, perhaps, least misleading.”